About 100 artists (10 years)
Cristine Brache is a New York-based artist, writer, and filmmaker of Cuban and Puerto Rican heritage. She received her MFA in Fine Art Media from the Slade School of Fine Art, London. Brache predominantly works in encaustic painting, sculpture, and film, often using obsolete media, acrylic, readymades, and textiles. Her work circulates around constructs of the female body and psyche, broken histories, masking, and the inevitable power dynamics accompanying these themes. The artist is also interested in mortality, nostalgia, and solitude.
Select solo exhibitions include those held at anonymous gallery (New York); Locust Projects (Miami); and Anat Ebgi (Los Angeles). She has exhibited internationally at galleries and institutions like Berlinische Galerie, Perez Art Museum Miami, and ICA Miami. Her films have screened in festivals like the Florida Film Festival (Orlando); Miami Film Festival (Miami); and Slamdance (Park City). Her work has been critically reviewed in Artforum, The New York Times, and The New Yorker.
Origin/Background:
Cuban and Puerto Rican
Lives in:
New York
Sign:
Sagittarius
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Cristine Brache is a New York-based artist, writer, and filmmaker of Cuban and Puerto Rican heritage. She received her MFA in Fine Art Media from the Slade School of Fine Art, London. Brache predominantly works in encaustic painting, sculpture, and film, often using obsolete media, acrylic, readymades, and textiles. Her work circulates around constructs of the female body and psyche, broken histories, masking, and the inevitable power dynamics accompanying these themes. The artist is also interested in mortality, nostalgia, and solitude.
Select solo exhibitions include those held at anonymous gallery (New York); Locust Projects (Miami); and Anat Ebgi (Los Angeles). She has exhibited internationally at galleries and institutions like Berlinische Galerie, Perez Art Museum Miami, and ICA Miami. Her films have screened in festivals like the Florida Film Festival (Orlando); Miami Film Festival (Miami); and Slamdance (Park City). Her work has been critically reviewed in Artforum, The New York Times, and The New Yorker.